{"id":27357,"date":"2026-01-05T20:36:20","date_gmt":"2026-01-05T20:36:20","guid":{"rendered":"https:\/\/www.ibermusicas.org\/?p=27357"},"modified":"2026-01-05T20:36:22","modified_gmt":"2026-01-05T20:36:22","slug":"silenciosas-ou-silenciadas-mulheres-no-universo-musical-de-sao-tome-e-principe","status":"publish","type":"post","link":"https:\/\/www.ibermusicas.org\/index.php\/silenciosas-ou-silenciadas-mulheres-no-universo-musical-de-sao-tome-e-principe\/","title":{"rendered":"Silenciosas ou silenciadas: mulheres no universo musical de S\u00e3o Tom\u00e9 e Pr\u00edncipe"},"content":{"rendered":"\n<p>Compartimos el trabajo de la investigadora portuguesa Magdalena Chambel, \u00abSilenciosas o silenciadas: mujeres en el universo musical de Santo Tom\u00e9 y Pr\u00edncipe, mapeo, documentaci\u00f3n y an\u00e1lisis de la participaci\u00f3n de las mujeres en el universo musical de Santo Tom\u00e9 y Pr\u00edncipe\u00bb. En este trabajo, Magdalena Chambel da voz a las artistas: a las mujeres valientes que no pueden detenerse, superando todas las barreras que se interponen en su camino.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.ibermusicas.org\/wp-content\/uploads\/2026\/01\/Chambel-Magdalena-2025_Silenciosas-ou-silenciadas.-Mulheres-no-universo-musical-de-Sao-Tome-e-Principe.pdf\" data-type=\"link\" data-id=\"https:\/\/www.ibermusicas.org\/wp-content\/uploads\/2026\/01\/Chambel-Magdalena-2025_Silenciosas-ou-silenciadas.-Mulheres-no-universo-musical-de-Sao-Tome-e-Principe.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Investigaci\u00f3n<\/a><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Compartimos el trabajo de la investigadora portuguesa Magdalena Chambel, \u00abSilenciosas o silenciadas: mujeres en el universo musical de Santo Tom\u00e9 y Pr\u00edncipe, mapeo, documentaci\u00f3n y an\u00e1lisis de la participaci\u00f3n de las mujeres en el universo musical de Santo Tom\u00e9 y Pr\u00edncipe\u00bb. En este trabajo, Magdalena Chambel da voz a las artistas: a las mujeres valientes [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":27358,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[54],"tags":[],"class_list":["post-27357","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-investigacion-musical"],"lang":"es","translations":{"es":27357,"pt":27361},"pll_sync_post":[],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/www.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts\/27357","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/comments?post=27357"}],"version-history":[{"count":1,"href":"https:\/\/www.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts\/27357\/revisions"}],"predecessor-version":[{"id":27360,"href":"https:\/\/www.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts\/27357\/revisions\/27360"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/media\/27358"}],"wp:attachment":[{"href":"https:\/\/www.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/media?parent=27357"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/categories?post=27357"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/tags?post=27357"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}