{"id":27581,"date":"2026-01-27T12:23:43","date_gmt":"2026-01-27T12:23:43","guid":{"rendered":"https:\/\/www.ibermusicas.org\/?p=27581"},"modified":"2026-01-27T12:23:45","modified_gmt":"2026-01-27T12:23:45","slug":"analisis-comparado-a-la-rueda-cueca-chilena-y-el-canto-de-jarana-marinera-limena-estructura-poetica-y-formas-de-canto","status":"publish","type":"post","link":"https:\/\/www.ibermusicas.org\/index.php\/analisis-comparado-a-la-rueda-cueca-chilena-y-el-canto-de-jarana-marinera-limena-estructura-poetica-y-formas-de-canto\/","title":{"rendered":"An\u00e1lisis comparado a la rueda (Cueca Chilena) y el canto de jarana (Marinera lime\u00f1a): estructura po\u00e9tica y formas de canto"},"content":{"rendered":"\n<p>Resultado de la Residencia para la Investigaci\u00f3n comparada de la estructura y el canto de la cueca chilena y la marinera lime\u00f1a, trabajo realizado por Alex Guerrero Chinga, payador, cantor e investigador de la poes\u00eda cantada, en conjunto con el Centro Social Cultural Musical Bre\u00f1a y con cultores de la marinera lime\u00f1a.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.ibermusicas.org\/wp-content\/uploads\/2026\/01\/Analisis-comparado-a-la-rueda-Cueca-Chilena-y-el-canto-de-jarana-Marinera-limena_-estructura-poetica-y-formas-de-canto.pdf\" data-type=\"link\" data-id=\"https:\/\/www.ibermusicas.org\/wp-content\/uploads\/2026\/01\/Analisis-comparado-a-la-rueda-Cueca-Chilena-y-el-canto-de-jarana-Marinera-limena_-estructura-poetica-y-formas-de-canto.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Descargar documento<\/a><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Resultado de la Residencia para la Investigaci\u00f3n comparada de la estructura y el canto de la cueca chilena y la marinera lime\u00f1a, trabajo realizado por Alex Guerrero Chinga, payador, cantor e investigador de la poes\u00eda cantada, en conjunto con el Centro Social Cultural Musical Bre\u00f1a y con cultores de la marinera lime\u00f1a. Descargar documento<\/p>\n","protected":false},"author":7,"featured_media":27582,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[54],"tags":[],"class_list":["post-27581","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-investigacion-musical"],"lang":"es","translations":{"es":27581,"pt":27585},"pll_sync_post":[],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/www.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts\/27581","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/comments?post=27581"}],"version-history":[{"count":1,"href":"https:\/\/www.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts\/27581\/revisions"}],"predecessor-version":[{"id":27584,"href":"https:\/\/www.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts\/27581\/revisions\/27584"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/media\/27582"}],"wp:attachment":[{"href":"https:\/\/www.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/media?parent=27581"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/categories?post=27581"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/tags?post=27581"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}