{"id":7884,"date":"2019-02-20T10:34:35","date_gmt":"2019-02-20T10:34:35","guid":{"rendered":"https:\/\/www.ibermusicas.org\/?p=7884"},"modified":"2021-07-06T10:35:30","modified_gmt":"2021-07-06T10:35:30","slug":"la-compositora-argentina-cecilia-quinteros-inicia-su-residencia-compositiva-en-el-lut-estudio-lab-de-ecuador-con-el-fin-de-crear-dimension-hibrida-una-obra-transindisciplinaria-real","status":"publish","type":"post","link":"https:\/\/www.ibermusicas.org\/index.php\/la-compositora-argentina-cecilia-quinteros-inicia-su-residencia-compositiva-en-el-lut-estudio-lab-de-ecuador-con-el-fin-de-crear-dimension-hibrida-una-obra-transindisciplinaria-real\/","title":{"rendered":"La compositora argentina Cecilia Quinteros inicia su residencia compositiva en el L\u00fat Estudio Lab de Ecuador con el fin de crear \u201cDimensi\u00f3n H\u00edbrida\u201d, una obra transindisciplinaria realizada entre artistas de Argentina y Ecuador"},"content":{"rendered":"<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Cecilia Quinteros es cellista, improvisadora, compositora y performer. Estudi\u00f3 violoncello con Fernando Dieguez, Claudio Pe\u00f1a, Jorge Bergero y Stanimir Todorov y composici\u00f3n con Ricardo Capellano en el Conservatorio Superior Manuel de Falla de Argentina. &quot;}\" data-sheets-userformat=\"{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}\">Cecilia Quinteros es cellista, improvisadora, compositora y performer. Estudi\u00f3 violoncello con Fernando Dieguez, Claudio Pe\u00f1a, Jorge Bergero y Stanimir Todorov y composici\u00f3n con Ricardo Capellano en el Conservatorio Superior Manuel de Falla de Argentina. <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cecilia Quinteros es cellista, improvisadora, compositora y performer. Estudi\u00f3 violoncello con Fernando Dieguez, Claudio Pe\u00f1a, Jorge Bergero y Stanimir Todorov y composici\u00f3n con Ricardo Capellano en el Conservatorio Superior Manuel de Falla de Argentina.<\/p>\n","protected":false},"author":1,"featured_media":7885,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[53],"tags":[],"class_list":["post-7884","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias-generales"],"lang":"es","translations":{"es":7884},"pll_sync_post":[],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/www.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts\/7884","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/comments?post=7884"}],"version-history":[{"count":0,"href":"https:\/\/www.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts\/7884\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/media\/7885"}],"wp:attachment":[{"href":"https:\/\/www.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/media?parent=7884"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/categories?post=7884"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/tags?post=7884"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}